15 Minutes
Cover of Escravidão – Volume I: Do Primeiro Leilão de Cativos em Portugal até a Morte de Zumbi dos Palmares

History · 16 min

Escravidão – Volume I: Do Primeiro Leilão de Cativos em Portugal até a Morte de Zumbi dos Palmares

Laurentino Gomes · 2019

Who it's for

Original title (Portuguese): Escravidão – Volume I: Do Primeiro Leilão de Cativos em Portugal até a Morte de Zumbi dos Palmares. For anyone who wants to understand, based on serious research, how Atlantic slavery began and why it left a mark that still shapes Brazilian society today. A summary for people who prefer documented fact to the condensed version they learned in school.

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3 ideas to take with you

1

According to Gomes, slavery already existed in Africa before the European ship arrived, but the Atlantic trade turned it into a large-scale, permanent system based on race.

2

For the author, death during the Atlantic crossing was not an accident of the system: it was a cost calculated by merchants who knew how much loss the business could bear.

3

According to the book, Zumbi broke the peace deal that Ganga Zumba had made because a truce that shut the door on new runaways would betray the very reason Palmares existed.

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The auction of enslaved people recorded by a court chronicler in Portugal in 1444 already shows the same machinery that repeated for almost four centuries: people turned into merchandise with a price tag.
An idea from Escravidão – Volume I: Do Primeiro Leilão de Cativos em Portugal até a Morte de Zumbi dos Palmares, in the words of 15 Minutes

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The auction that opens the book: Lagos, 1444

Gomes begins the book not in Brazil, but on a dock in Portugal, in the city of Lagos, in the year 1444. There, a group of people brought by force from the African coast is put up for auction in front of the court and the local population. The scene is recorded by the chronicler Gomes Eanes de Zurara, an employee of the Portuguese crown, whose description became one of the first written accounts of this kind of trade headed for Europe.

The author chooses this scene as his starting point because it is where the mechanism that would repeat for almost four centuries is born all at once: people kidnapped, separated from their families, treated as merchandise and sold to the highest bidder. Zurara describes weeping and pleading at the moment of sale, but he also tries to justify the act as a spiritual good, an argument the Church and the crown repeat whenever they need to legitimize the business.

Africa before the slave ship

The book insists on making clear that slavery did not reach Africa with the Portuguese ship. African societies already enslaved prisoners of war, debtors and people convicted of crimes long before the first European set foot on the coast. In most cases, this internal slavery had limits: it could be temporary and did not completely cut a person's ties to their own land and language.

The Atlantic trade turns this local practice into an outward-facing chain, large in scale, permanent and based on race. African kingdoms and merchants who already dealt with prisoners of war begin selling some of these people to European middlemen, in exchange for cloth, firearms and other goods. Gomes is careful to show this without removing European responsibility or treating the whole continent as a passive audience.

Kingdoms that became part of the business

The book maps the African kingdoms that entered the trade, each with its own logic of power. Kongo, in Central Africa, even maintains formal diplomatic relations with Portugal, exchanging letters and sending a representative to the European court, while at the same time supplying people to the Atlantic market.

Farther south, the kingdom of Ndongo, in what is now Angola, becomes one of the biggest suppliers of the trade headed for Brazil, amid constant war with the Portuguese on the coast. On the other side of the continent, Dahomey and Benin build part of their own political economy around capturing and selling prisoners, using internal trade routes that had existed for centuries.

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About Laurentino Gomes

Laurentino Gomes is a Brazilian journalist who built a career in newsrooms before turning to history books written in a reporting style. After finishing the trilogy on the making of modern Brazil, made up of 1808, 1822 and 1889, he traveled through African countries and several regions of Brazil to research a new trilogy on the history of slavery, of which this book is the first volume, published in 2019. His books have won the Jabuti prize and sold millions of copies, which makes him a reference in bringing historical research to readers who are not academics. Gomes has no academic training in history, and it is that reporter's eye, more focused on scene and character than on theory, that shapes the way he narrates the trade in enslaved people.

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