15 Minutes
Cover of Senhora

Fiction · 16 min

Senhora

José de Alencar · 1875

Who it's for

Original title (Portuguese): Senhora. For readers who love a complicated love story, with intrigue, money, and pride in the mix, and who want to understand where old ideas about marriage come from that still hang around Brazilian families today. It's also for anyone who has only heard of José de Alencar from school and never actually read one of his novels.

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3 ideas to take with you

1

In the novel, the house Aurélia and Seixas share is silent and cold, which shows that control and humiliation don't need shouting. Outside of fiction, this is abuse, and in the U.S. the National Domestic Violence Hotline (1-800-799-7233) can help.

2

According to the book, pride becomes a war strategy when two partners spend more time looking after their own image than looking after each other.

3

Alencar portrays a Rio where financial security and affection competed for the same space inside marriage.

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In the novel, Seixas trades Aurélia for a bigger dowry, and it's she, who chose nothing, who carries the wound.
An idea from Senhora, in the words of 15 Minutes

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Heads up before we start: the ending is told here

"Senhora" is fiction, so we can tell the whole story, start to finish, with no worry about spoilers: that's how a novel summary works. If you'd rather discover everything on your own, reading the book fresh, stop here and come back later. But if you want a quick sense of what it's about, what the book discusses, and whether it's worth setting aside time for, go ahead without fear.

Published in 1875, when José de Alencar was already sick and near the end of his life, "Senhora" closes a cycle of his novels about women of Rio high society. It's the story of a marriage bought with money, of wounded pride that turns into cold revenge, and of two people trying to understand each other after hurting each other badly.

Aurélia Camargo, the young woman who becomes a fortune holder

Aurélia starts out poor, living with her widowed mother, in love with a young man named Fernando Seixas, who seems to truly love her too. She is beautiful, proud, and has too strong a sense of dignity to silently accept humiliation, a trait that will define every decision she makes for the rest of the book.

The turning point comes when she discovers she is the granddaughter and heir of a rich grandfather she hardly knew. Overnight, the girl with no dowry becomes one of the richest women in Rio de Janeiro, with a mansion, servants, and a social standing nobody expected her to have.

This fortune changes the whole game of the novel: with money, Aurélia stops being the one who waits to be chosen and becomes the one who chooses, including choosing to buy back the very fiancé who dumped her for money. The rest of the story is about the price that choice charges her.

Fernando Seixas, the fiancé who traded love for a dowry

Seixas is a handsome, educated young man from a declining family, the kind who needs a rich marriage to keep his social status without lowering himself to work. He likes Aurélia, but he likes even more keeping up the appearance of wealth his family no longer really has.

Pressured by his mother and his own bills, he agrees to marry another girl just because she has a bigger dowry, abandoning Aurélia without much ceremony. That abandonment for money plants the seed of everything that follows: Aurélia doesn't forget, and the whole book is about her collecting on that debt.

Years later, widowed from the rich girl and sunk in debt again, Seixas turns up available on the marriage market, exactly when Aurélia has fortune to spare and a plan for settling accounts in her head.

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About José de Alencar

José de Alencar was born in 1829 in Ceará, and died in 1877 in Rio de Janeiro, a victim of tuberculosis. After earning a law degree in São Paulo, he worked as a journalist, lawyer, and member of parliament under the Empire before becoming one of the most widely read novelists in nineteenth-century Brazil. Besides Indianist novels like "O Guarani", he wrote a series of urban novels about women of Rio high society, among them "Lucíola", "Diva", and "Senhora", the last published the year before his death. Alencar also served as Minister of Justice during the Second Reign, between 1868 and 1870.

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Category:
Fiction
Part of the Journeys:
Brazilian Literature